
Live electronics : Solo
CW 1 :

Performance #1 at University
Performance # 2 ( Re-do)
CW 2 :
Part 1 - Observing a solo performance
Find a video of a live performance by an interesting musician using live electronics.
Discuss the issue of ‘liveness’ in the context of this specific performance. Refer to the lecture notes from the lecture on this topic
Link to a video of a live performance by an interesting musician using live electronics:
https://www.youtube.com/watch?v=jX-fDKWGbRs
(Radiohread - Idioteque - Glastonbury 2003)
What is the arrangement/instrumentation?
In this performance seemingly, Pre-recorded loops, electric guitar, live electric drums, live vocals, live electronics and acoustic percussion were used.
What musical role does the electronic part play?
The beats are electronics, there are multiple effects on vocals and other parts including sound effects.
How do the performers control the electronics, or make it feel like part of the live performance?
One of the guitarists is on the mixer and is using effects throughout the performance.
What other elements contribute to the live experience?
(visuals, use of space, interaction between performers, interaction with the audience etc).
There are Fireworks going off, the lighting is immaculate and bodily movements are taking place which can be cast as a form of the dance performance . The way the stage is utilised together with the festival environment effectively created the right atmosphere.
PART 2: Your solo performance
Discuss the preparation and performance of your solo piece, addressing the following
What musical materials did you prepare for the performance?
We were introduced to Ableton live a couple months before the performance. Because electronic music is so rich with potential complexities of system, its live performance is a negotiation between what is automated and what is left up to human real-time decisions (Collins et al. 2013). Live electronics was a very new concept to me but the nature of it did spark my interest. As time was of the essence I tried my best to do what I could with it but if I was more proficient with the software I would have probably reated a more intricate piece. To create the piece I used clips, loops, chords and electronic drums. I played some of the drum beats using a midi keyboard. After the tracks were made. I arranged and played each track for a certain amount of time and my lecturer Guy helped me record it and turn it into one track. As I didn’t have Ableton live in my laptop, I used this track, split it up into separate sections on Logic pro X and tried to record my vocals on each section individually. I had also colour coordinated the different sections of the track to help me annotate and arrange the tracks. Another reason behind using Logic Pro X was because I was more familiar with that DAW and it gave my final track a skeleton. I then wrote lyrics to these sections and recorded it in Logic. With the little time I had left now, I tried to practice and learn the track I had just created.

What was the connection between the electronics and the instrument/voice?
The melody and beats were based on the words.
My initial goal when I was given this module was to create a track that would closely resemble a backing track of a generic pop song. However whilst exploring and playing around with Ableton live, I created something completely different. My track was of a sporadic nature. It did have a theme as most of it sounded like it was in a minor scale but the rapid changes in harmony made it sound dramatic and a sense that it was telling a story through these changes. This piece ‘ Finish line ‘ is actually about me having ADHD. So for many years now I was aware of my mental health issues such as depression and anxiety , but recently I got diagnosed with ADHD which is ( Attention Deficit Hyperactivity Disorder ) as well as mild dyslexia. This piece represents the sporadic and chaotic nature of my personality. This track was a bit ‘all over the place’. That is exactly how my mind feels most of the time. It’s a glimpse into the mind of a neurodivergent person. My brain breaks a small task into too many steps. Which can be extremely overwhelming sometimes. My thoughts are always racing. The highs and lows of the track indicate my hyperactivity, my low moods and hyper focus on things I like and lack of focus and procrastination towards the things I don’t enjoy as much. Initially I asked my lecturer Guy to help make this track more cohesive, but he suggested that I could tell a story with this. And that gave me a message that I should accept who I am and work with what I have to my advantage . Also the attention span of today’s youth is rapidly decreasing, from long class room lectures to 15 minute YouTube videos to 1 minute tiktoks to 15 seconds and now 5 second reels. The reduction of attention span of this generation is something worth discussing. Hence, I thought it was not only an expression of my personal journey with mental health but also was relevant to today’s youth.
Compare your experience of performing with electronics to your previous experience of performing without electronics.
Keeping my mental and time constraints aside, I quite enjoyed using live electronics in my performance. Previously I have sung with a backing track, an accompaniment or acapella. All of which gives me a sense of familiarity but not a sense of control (except acapella of course). ‘Human decision making in live performance also stretches from over-rehearsed scripted actions known well in advance to much looser frameworks within which improvised action can be pursued’ (Collins et al. 2013). As a non instrument player, It was nice to be able to do something with your hands and have that control but also it wasn’t so rigid to the point that repeating a loop or two would completely ruin the performance. It gave me a sense of control on the track section by section which kept me occupied and I was having fun with it and also let me play around in my final performances. It felt less monotonous to me as a singer and having control over the loops gave me a sense of freedom and relaxation.
How was the audience interaction and response?
What feedback did you get from your peers and tutors?
The feedback from my tutor and peers were similar. My tutor Guy Harris, said that the track was definitely telling a story, he said that because he has observed that all my performances till date has a message or story to tell. He asked me to learn the lyrics by heart so I could engage with the audience and also enjoy performing myself. My peers seemed to have liked the track and they found the sporadic and random nature of it interesting and refreshing. They also liked how it sounded. But they said that it would’ve been nice if I had known all the lyrics and didn’t look at the lyrics on the lyric stand as much and had performed with more confidence and ease, it would’ve made the whole experience more enticing. ’Nonetheless, the composer Alejandro Viñao has argued that choices are made on a piece-by-piece basis. As long as the audience perceives a successful piece of music, there is no reason to disregard the click track, whose very rigidity can also be of musical worth’ (Collins et al. 2013).
How are you planning to develop the piece further?
I did re-do the performance as linked above. And I tried to implement the feedback of my tutor and peers of having the lyrics memorised. I still had to look at the sheet to check the numbers to trigger the loops. However if I had a bit more time and experience with Ableton live; I would deduct some loops, add some different ones. Make the transition between tracks a bit smoother. And maybe add reverb or other vocal effects. I would have definitely rehearsed it more, changed parts of the lyrics and improve my vocals. Initially found this piece too scattered, but after getting positive feedback I realised that my piece was unique and eccentric and gave me a different experience to just performing to something that resembled a backing track.
I feel like the audience reaction towards my piece was positive. Everyone was lost in the ambiance created by the harmonious and melodic solo performances that took place before mine. Mine seemed to wake and shake up the audience a bit more as it was a bit unexpected and the instrumentation was a bit more edgy and irregular. I think the audience members were intrigued to see which key I would press next and what will be the pace and melody for the next section of my piece. I think the uniqueness of my piece took the audience on a little adventure and kept them at the edge of their seats. They seemed engaged and at the end rewarded me with a hearty round of applause.
References :
COLLINS Nick, Margaret Schedel and Scott Wilson (2013) Electronic Music: Cambridge University Press
Bibliography :
ALLEN, William (2021) Radiohead On Track: Every Album, Every Song: Sonicbond Publishing
HUBER, David Miles (2009). Modern Recording: Focal press